What we do.

Our moving light inventory is the core of every theatrical rig:

• GLP JDC1 hybrids — combination strobe, wash, and beam in one fixture. The workhorse of our rig.
• Robe BMFL Spots — high-output long-throw spotlights for feature lighting and beam work
• Chauvet Rogue R2X washes — RGBW LED washes for color-mixing, ambient, and brand-color moments
• Color mixing: Full CMY/RGB on all moving head profiles; we match Pantone/hex on request
• Control: MA3 console; we bring a console operator for all live shows

We typically carry 40–80 fixtures to a show depending on venue size and creative brief. Full lighting design + programming included for shows confirmed 30+ days out.

Gobos are how you texture a room and make a brand reveal land:

• Custom gobo manufacturing: Logo gobos, pattern gobos, text gobos — glass or steel, produced in-house in 5–7 business days
• Breakup patterns: Foliage, abstract, architectural — we have an extensive gobo library
• Aerial projection: Pattern work through haze for sculptural lighting effects
• Brand reveal gobos: Timed to music or a scripted cue; programmed to timecode for product launches

We include gobo recommendations in the free design consultation for confirmed shows.

Atmospheric effects are what separates a show that looks like lighting from one that looks like a production:

• Haze: MDG TheONE and Jem Glaciator — theatrical haze for beam definition and aerial texture. We manage haze levels to keep beam visibility high without triggering smoke detectors.
• Fog: Low-lying ground fog for dramatic entrances and stage moments
• CO2 jets: High-velocity burst jets for energy moments, stage reveals, countdown finishes
• Confetti cannons: Manual and remote-trigger; biodegradable paper options available

For all atmospheric effects, we handle the fire marshal permit application, the pre-event sprinkler head bag-off (if required), and the detector suppression documentation. This is not an add-on — it’s standard for any show using atmospheric effects with us.

We carry a modular LED tile video wall system for events that need video content as part of the lighting design — not as a replacement for projection.

Our system:

• 1.9mm pixel pitch LED tiles (same pitch as The Skybridge at Pioneer Square’s LED wall)
• Modular: configurable from 8×6ft to 20×12ft panels
• Processor: Brompton SX40 for color accuracy
• Content playback: Resolume Arena for reactive and programmed content

Best use cases:

• Branded backdrop behind a stage (logo loops, brand motion graphics)
• Atmospheric visuals that change with the music or lighting cues
• Concert and festival environments where a projector can’t compete with ambient light

Not ideal for: Standard conference presentations (slides, video content for 500+ audience) — a high-lumen projector or purpose-built LED wall like the Skybridge installation is better for that use case. We’ll say so.